by Margie Lawson

Don’t give readers a reason to take a mini-vacation from your page.
That’s what happens when readers come across clichéd phrases or sentences they’ve read before. They know what’s coming. Their brain takes a break from your story.
And for that fraction of a second they are sucked into the muck of their real world. Thinking things like:
I ought to quit reading and get some work done.
Has the washer quit running? I could transfer clothes from the washer to the dryer.
Because those blah-blah thoughts are more interesting than the overused phrase or sentence they just saw on the page.
We’ve all had those random reality-based thoughts when we’re reading. Because we aren’t locked in every sentence.
But we don’t have those reality intrusions when we’re fully immersed in a scene. When we’re locked in, reality doesn’t exist.
This blog focuses on faces. Writers fall into describing expressions in the same old, same old ways. The tried and trite phrases carry little interest, little power.
Facial expressions are more than just a visual. More than just a tag. More than just a beat.
Read the rest of this post HERE.
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